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*downloads below*

Getting onto Wikipedia always has the potential to lead down a dark hole into the mouth of madness.

Take a search for INXS. At first glance everything seems very hunky dory, if not a bit bland. Most of the page consists of paraphrasing from an INXS biography entitled: The Life and Times of Michael Hutchence and INXS. There are also slightly interesting tidbits about how they emerged from a pub-touring Australian band into one of the largest acts of the 80′s.

But if you’re daring enough to delve deeper into the page you’ll eventually get into the mysterious death of Michael Hutchence.

There’s not much about his death on the INXS page so you take a stroll on over to the Michael Hutchence page for further investigation.

Apparently there’s some dispute about how the dude actually died. The coroner’s report lists it as suicide due to depression mixed with a potent cocktail of narcotics and prescription medicine in a Ritz-Carlton Hotel.

But in an interview with the Australian 60 minutes program his former lover and mother of his child, British TV personality Paula Yates (who later died of a heroin overdose), said that it’s possible that Hutchence died of autoerotic asphyxiation.

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He was just looking for that New Sensation.

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Hey, what’s this autoerotic asphyxiation, your creepy brain asks. You click on the Wikipedia link.

Well, let’s see here…”Erotic asphyxiation or breath control play is the intentional restriction of oxygen to the brain for sexual arousal. “

Ah, right right, that make senses…not.

Scrolling down through the page you’ll see that this has been the source of demise for some fairly well-known folks. You may recognize David Carradine on that list…who is better known to some as Bill from Quentin Tarantino’s Kill Bill.

Read through the list of other unlucky “gaspers” and you’ll see one with a particularly macabre description…

“Sada Abe killed her lover, Kichizo Ishida, through erotic asphyxiation in 1936, proceeding to cut off his penis and testicles and carry them around with her in her handbag for a number of days. The case caused a sensation in 1930s Japan and has remained one of the most famous Japanese murder cases of all time.”

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Shave and a haircuit, two bits.

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Ok, so you’re already in this far, might as well go ahead and click on Sada Abe.

Here’s a few gems that you’ll encounter on your journey through Sada Abe’s life.

Her father sent her to work in a brothel, then not an uncommon way to punish female sexual promiscuity in Japan, though he soon bought her back. Teruko’s past was not considered a hindrance to marriage for those of the Abes’ class at the time, and she soon married.

Yes, this seems completely logical. Completely.

Abe wound up a low-ranking geisha, in which her main duties were to provide sex. She worked for five years in this capacity, and eventually contracted syphilis. Since this meant she would be required to undergo regular examinations, like a legally licensed prostitute, Abe decided to enter that better-paying profession.

Again, logic reigns supreme. Spock would be proud. But it gets so much better.

Ishida and Abe returned to Ogu, where they remained until his death. During their love-making this time, Abe put the knife to the base of Ishida’s penis, and said she would make sure he would never play around with another woman. Ishida laughed at this. Two nights into this bout of sex, Abe began choking Ishida, and he told her to continue, saying that this increased his pleasure. She had him do it to her as well. On the evening of May 16, 1936, Abe used her obi sash to cut off Ishida’s breathing during orgasm, and they both enjoyed it. They repeated this for two more hours. Once Abe stopped the strangulation, Ishida’s face became distorted, and would not return to its normal appearance. Ishida took 30 tablets of a sedative called Calmotin to try to soothe his pain. According to Abe, as Ishida started to doze, he told her, “You’ll put the cord around my neck and squeeze it again while I’m sleeping, won’t you… If you start to strangle me, don’t stop, because it is so painful afterward.” Abe commented that she wondered if he had wanted her to kill him, but on reflection decided he must have been joking.

About 2 a.m. on the morning of May 18, 1936, as Ishida was asleep, Abe wrapped her sash twice around his neck and strangled him to death. She later told police, “After I had killed Ishida I felt totally at ease, as though a heavy burden had been lifted from my shoulders, and I felt a sense of clarity.” After lying with Ishida’s body for a few hours, she next severed his genitalia with the kitchen knife, wrapped them in a magazine cover, and kept them until her arrest three days later. With the blood she wrote Sada, Kichi Futari-kiri (“Sada, Kichi together”) on Ishida’s left thigh, and on a bed sheet. She then carved 定 (“Sada”, the character for her name) into his left arm. After putting on Ishida’s underwear, she left the inn at about 8 a.m., telling the staff not to disturb Ishida. When asked why she had severed Ishida’s genitalia, Abe replied, “Because I couldn’t take his head or body with me. I wanted to take the part of him that brought back to me the most vivid memories.

Some people collect magnets, other spoons…Sada Abe collects jewels.

The account goes on to feature those confederate members in some entirely horrific situations, which you’ll have to check out in this section of the Sada Abe page if you’re feeling particularly fiendish.

Finally, the kicker.

The first day of Abe’s trial was November 25, 1936, and by 5 a.m. crowds were already gathering to attend. The judge presiding over the trial admitted to being sexually aroused by some of the details involved in the case, yet made sure that the trial was held with the utmost seriousness.

When all was said and done she only served five years in prison. And we wonder why Japan is so goddamn weird.

If you take one more brave click you’ll find that Sada Abe case was a big influence of the Ero Guro Nansensu (erotic-grotesque-nonsense…or ero guro for short ) art movement in Japan.

So what is Ero Guro, you may ask? Well, it kind of looks like this….

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This is the only example I could find without sliced and diced privates. Homicidal, smash-skulled fetus skeletons are still PG-13, right?

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If you really want to know the depravity of this journey then click on this link. But don’t blame me for what you see…it was INXS and Wikipedia that brought us down that dark hole into the bloody mouth of madness.

And for those of you that love sweet tunes while keeping your mind out of the gutter, please enjoy the following download links. But please, remember to breathe.

Kick Part 1

Kick Part 2

Kick Part 3

And all sex, blood, & death aside…this is one of the best albums of the 80′s. Absolute pop bliss. Catchy catchy cool.

Jingle Bell Jazz Duke Ellington Miles Davis Herbie Hancock Christmas

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FLAC

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Part 1

Part 2

Part 3

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Tracklist

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A1     Duke Ellington –     Jingle Bells

Recorded in NYC, June 21, 1962

Bass – Aaron Bell
Producer – Teo Macero
Reeds – Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonsalves, Russell Procope
Written-By – M. Ellington*
Drums – Sam Woodyard
Trombone – Britt Woodman, Chuck Connors, Lawrence Brown
Piano – Billy Strayhorn
Trumpet – Bill Berry, Cat Anderson, Ray Nance, Roy Burrows*

3:00

A2     Lionel Hampton –     White Christmas

Recorded in NYC, January 11, 1962

Bass – George Duvivier
Producer – Teo Macero
Vibraphone – Lionel Hampton
Written-By – I. Berlin*
Guitar – Billy Mackel
Drums – Osie Johnson
Trombone – Eddie Bert, Lou McGarity, Richard Hixson, Robert Byrne
Piano – Tommy Flanagan

2:31

A3     Chico Hamilton –     Winter Wonderland

Recorded In NYC, May 26, 1961

Bass – Buddy Catlett
Producer – Teo Macero
Drums – Chico Hamilton
Guitar – Harry W. Polk
Saxophone – Charles Lloyd
Cello – Nat Gershman*
Written-By – D. Smith*, F. Bernard*

5:23

A4     Carmen McRae –     The Christmas Song (Chestnuts Roasting On An Open Fire)

Recorded in NYC, June 29, 1961

Producer – Teo Macero
Bass – Bob Cranshaw
Celesta – Norman Simmons
Written-By – M. Torme*, R. Wells*

3:54

A5     Pony Poindexter –     Rudolph, The Red-Nosed Reindeer

Recorded in NYC, May 10, 1962

Bass – Bill Yancy*
Producer – Teo Macero
Baritone Saxophone – Pepper Adams
Alto Saxophone – Gene Quill, Phil Woods
Tenor Saxophone – Billy Mitchell, Dexter Gordon
Alto Saxophone, Soprano Saxophone – Pony Poindexter
Drums – Charlie Persip
Piano – Gildo Mahones
Written-By – J. Marks*

2:31

A6     Paul Horn –     We Three Kings Of Orient Are

Recorded in Hollywood, CA, August 15, 1962

Bass – Victor Gaskin
Producer – Irving Townsend
Flute – Paul Horn
Vibraphone – Emil Richards
Written-By – J. Hopkins*
Drums – Milt Turner
Arranged By – Paul Horn
Piano – Paul Moer

3:50

B1     Dave Brubeck Quartet, The –     Santa Claus I Comin’ To Town

Recorded in NYC, June 2, 1961

Bass – Eugene Wright
Producer – Teo Macero
Written-By – H. Gillespie*, J. F. Coot*
Drums – Joe Morello
Piano – Dave Brubeck
Alto Saxophone – Paul Desmond

3:40

B2     Lambert, Hendricks & Ross –     Deck Us All With Boston Charlie

Recorded in NYC, May 4, 1961

Piano – Gildo Mahones
Producer – Teo Macero
Bass – Ike Isaacs (2)
Drums – Jimmy Wormworth
Written-By – N. Monath*, W. Kelly*

3:12

B3     Herbie Hancock –     Deck The Halls

Recorded in NYC, January 14, 1969

Bass – George Duvivier
Producer – Teo Macero
Vibraphone – Dave Carey
Guitar – Al Caiola
Trombone – Jimmy Cleveland
Saxophone – Frank Wess
Drums – Ed Shaughnessy
Arranged By – Jay Cee
Piano – Chick Corea, Herbie Hancock
Trumpet – Woody Shaw

4:59

B4     Manhattan Jazz All Stars, The –     If I Were A Bell

Recorded in NYC, October 19, 1959

Producer – Teo Macero
Vibraphone – Teddy Charles
Written-By – F. Loesser*
Guitar – Jimmy Raney
Saxophone – Teo Macero
Drums – Ed Shaughnessy
Piano – Dave McKenna
Trumpet – Addison Farmer, Nick Travis

2:54

B5     Marlowe Morris –     Rockin’ Around The Christmas Tree

Recorded in NYC, August 16, 1962

Producer – Frank Driggs
Organ – Marlowe Morris
Drums – Jo Jones, Ray Barretto
Written-By – J. Marks*

2:25

B6     Miles Davis –     Blue Xmas (To Whom It May Concern)

Recorded in NYC, August 21, 1962

Bass – Paul Chambers (3)
Producer – Teo Macero
Written-By – B. Dorough*, M. Davis*
Congas, Bongos – William Correa
Saxophone – Wayne Shorter
Drums – Jimmy Cobb
Trombone – Frank Rehak
Vocals – Bob Dorough
Trumpet – Miles Davis

2:40

jethro tull songs from the wood vinyl flac

Click here for a random Rebuilt Tranny album post

Here’s the first of a foray into lossless FLAC conversion. Unlike previous 320 kbps conversions, nothing has been manipulated after the initial recording; no digital pop & click removal removal, no equalization, no nothing. If you’re lucky you might catch a spot where a piece of fuzz gets caught under the needle. It’s about as close to the actual vinyl as you’ll get.

Take a listen and make sure to post your comments. This album has a rich diversity of instruments, which should display FLAC’s increased musical capabilities. I hope you enjoy.

Part 1

Part 2

Part 3

Let me bring you all things refined:

Galliards and lute songs served in chilling ale.

Greetings, well-met fellow, hail!

I am the wind to fill your sail.

I am the cross to take your nail:

A singer of these ageless times–

With kitchen prose, and gutter rhymes.

The Dismemberment Plan - Emergency & I

Click here for a random Rebuilt Tranny album post

*download below*

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What interesting things can I tell you about this tasty treat?

Well, for starters the name “Dismemberment Plan” comes from an exquisite movie. More specifically, it rolls from the mouth of one of moviedom’s greatest supporting comedic characters: Ned Ryerson.

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Additionally, this is the only album that Pitchfork Media hasn’t completely fucked up rating.

It received a 9.6 out of 10 when originally released. This vinyl re-release, with its 4 extra songs, received a 10 out of 10. The initial 1999 review was also a very tidy 21 words. I would have preferred an even 20, but I’ll let it slide.

If you consider yourself a fan of groundbreaking pop, go out and buy this album right now. Now. Get up. Go. – Pitchfork Media, 1999

I’d quote the re-issue review but it doesn’t have any pictures…which means I got bored before finding a meaty blurb and gave up.

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Pictures: The only source of engaging entertainment.

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Finally, I have a vague memory of seeing The Dismemberment Plan at the Southgate House during their farewell tour in 2003. It was the summer before I could legally drink. I was a bright and bouncing baby boy.

Unfortunately I obliterated most of my memory cells were during my 21st birthday party. Because it was so huge. Biggest 21st birthday party ever. Strippers from all over the Tri-State.

(It was actually quite a sad affair…lots of Super Bust-A-Move 2 and chasing Piano Little. Please don’t tell anyone.)

ANYWAY, Despite that bitchin mind-erasing party, one thing stuck with me from that show. No, it wasn’t the catchy snare-snapping beats. No, it wasn’t Mr. Morrison’s double-reed vocals. It was a short and sweet quote…just short enough to remember without the aid a two-dimensional graphic.

Morrison looked around at those dancing in the ballroom–up A-Frame and myself in the balcony–and said, “Where were all of you when our first album came out?”

Like if we’d all been there this wouldn’t have been their farewell show but a sold-out international extravaganza that cured AIDS, or at least gave it to Bono. And it wouldn’t have been a converted mansion in Newport, Kentucky they were playing but Carnegie Hall…with Matchbox 20 and Aaliyah as openers.

Do you really want to know where I was? Do you really want to know, Mr. Morrison? Ok, I’ll tell you.

It was 1995, I was 12 and riding in my Mom’s Chevy Celebrity Eurosport wagon, probably on my way to some Boy Scout jamboree at the Mormon Cincinnati South Stake. Perhaps I was utilizing the Celebrity’s rear jump seats.

And I was undoubtedly listening to this:

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Or maybe I was looking for pair of Airwalks at Tri-County Mall, and this was playing on the Muzak:

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But if I’d been Lakota Kool I probably would have been listening to this:

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In any case it was 1995. If you’d asked me what Indie was I would have told you he’s a guy with a brown hat and a whip who hates Nazis.

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Click here to download Emergency & I (with bonus tracks) from vinyl to MP3

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