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Monthly Archives: May 2010

 

When I entered the 7th grade I was only a baby.  I knew nothing of covert lunchtime dumpster smoking. Shit, it took me half of the year to figure out why everyone was posing so much; I didn’t see any cameras. I wore tight, pure white Levi’s Silvertab jeans the first day of school. My musical tastes consisted of listening to the 5-disc “Classical Music From Around The Globe” set that was part of my parent’s CD collection and every once in a while threw in Genesis’ We Can’t Dance when I was feeling really sassy. 

 

Eventually I picked up the mandatory mid-90′s punk and ska bands (NOFX, Operation Ivy, Pennwise, Bad Religion, etc.) that Cincinnati suburbanite youths clung to in the hopes of appearing cool. For a while I skirted with the concept of  hip; I could ollie over two stacked skateboards, I had JNCOs with 30 inch pipes (big enough to flip them upside down and wear them as a ridiculous skirt for comedic relief at family reunions), and I even carried a pocket knife to class. So tuff. 

Despite my greatest effortsI was always miles and miles away from true cool, figuratively and literally. The really cool kids were the ones doing heroine and listening to Unwound in some Seattle warehouse loft their older brother Crust rented out. They had piercings, real tattoos, real VD and were over Kurt Cobain even before Courtney blew his brains out. They were accomplishing real feats of cool 24/7 while I was trying to learn the lyrics to The Aquabats’ “Captain Hampton & The Midget Pirates” 3000 miles away in West Chester, OH. 

 

Before I picked this album up I had never heard Unwound. Not once in my entire life. I’ll admit I know nothing about the Post-Hardcore scene or even the regular Hardcore or curious Pre-Hardcore scene. I just don’t look good in black jeans. However, I feel like I should have heard about them at least once since this retrospective was released over 10 years ago. I mean I’ve been first mate on Black Bart’s MP3 Submarine for a while; from Napster to Bearshare to Limewire to modding a DC++ hub in college to my current venture as peddler of cheap vinyl smut. But I never heard Unwound. 

Well, after running multiple scenarios through my head about how this could be I finally came up with a solution: I simply wasn’t cool enough to pick up the Unwound wavelength. It was a long-lasting punishment for attempting to rock an undercut despite my superhuman cowlicks (I bore an uncanny resemblance to a Bighorn Sheep) 

You skate?

I’ve finally served my time for my crimes against style and now can be as angsty as I wanna be all throughout the twilight of my 20′s. I choose to do that by throwing on Unwound when I have houseguests over and saying, “Oh yeah I really got into this band in, like, the 5th or 6th grade. It kind of changed everything for me after I ran away. Kind of gave me a voice for all the shit I was going through. You’ve never heard of them? Wow, where are you from again?” 

 It’s going to be so awesome. 

<<Click here to download A Single History at 320 kbps from vinyl>>

 

  

 

You all will know this as the memorable tune from the teen-angst-turned-young-adult-triumph tale The Breakfast Club. You know, it plays throughout pretty much the entire film–most notably at the end when the suspiciously old-looking Judd Nelson pumps his leather-clad fist triumphantly into the crisp autumn air as he passes under the home team’s goal post. The scene froze as Judd’s bad ‘tude fouled the once virgin soil of Glenbrook North’s turf. That cinematic effect forever locked Judd in the bliss of near youth. That single fist pump told America that yes, movie stereotypes of high school cliques really can get along.

They totally believed I'm a teenager. Yes!

So yeah, Simple Minds performed that song and this is the longer version of that song. And you know what they say, longer Simple Minds songs really do satiate a woman’s supple fantasies in a more efficient, glistening manner.

The B-Side of  “Don’t You (Forget About Me)” is an ambient new wave jaunt into the heart of Molly Ringwald. Should she really wear such high boots with that low-neck pink blouse? It hasn’t been tried before but she’s the most popular girl in the school so she can pretty much do what she wants. However, if she makes  a huge fashion faux pas her position at the top may be jeopardized. On the other hand if you don’t take risks you’ll become stale and that new girl from Seattle will finally become appealing even though she wears Chuck Taylor All-Stars like SUCH a dweeb. Well, you better make your choice, you’re going to be late for detention…and you’re NOT going to spend another Saturday in that sluthole.

Emilio...why don't you like my boots? EMILIOOOOOOO!

“A Brand Band in African Chimes” is almost akin to some of the more ambient stuff by M83. Except this is real deal 80′s teenage angst.

<<Click here to download the Long and the Beautiful>>

If you dig retro drag racing you’ll love this continuous stream of redlines. If you don’t, well…I’m sorry but you’re totally weaksauce. Description from the album cover below.

Click here to download Badass Tire-Squealin’ Bitches

Keeping up with the trend of strange albums I present Hairway to Steven. This album sat in the unplayed pile for more than 5 years until today. Its memory just evoked visions of teeth gnashing with hacked up smoker’s phlegm smooshed into long, oily hair. I just couldn’t handle the flashbacks of 1 West.

However, the listen today made me once again realize that tastes can change for the better because this album is fantastic. It’s best used to neutralize the awful yelping of your neighbor’s dog. Once this bad boy began spinning amidst the open windows and supple Kentucky spring breeze the mutt dog (cute but far too boisterous) adjacent to my house stopped his usual abused dog soapbox spiel and took listen to the horribly brilliant sounds of the Butthole. I can only imagine what strange ultrasonic transmissions he received.

The following album notes were handwritten on the album sleeve when I got it. They’re from some long-lost disc jockey affiliated with either WYCC (Google brings up a Chicago PBS station…I highly doubt this disc spent a tenure at the dignified digs of Public Broadcasting) or WMSR in Oxford, OH. I thought his or her insight into the disc were the real icing on the butt cake. If anyone knows what the abbreviations mean before each track description please enlighten the audience.

Unfortunately (depending on how you look at it), no song titles have been supplied. Instead there are kinda rude drawings for each tune. We’ll just think of them as song #1, #2, etc.

SIDE ONE:

Song #1: MT/MAJOR SHIFT, SOUNDS LIKE  A NEW SONG/VERY QUICK FADE

Kinda typical surfers, lots of drums & wigged-out guitars w/ occasional mutated voice. Barnyard noises are included in the second, more sedate half of the song.

Song #2: MUT/COLD

considerably more “normal” dark psychedelia

Song #3: MT/Fade

“I saw an x-ray of a girl passing gas.”

and why not?

Side 2

Song #4 (live): MT/FADE on clapping

about smoking, love & hate

Song #5: MUT/FLN

Song #6: MUT/FLN

rockabilly about Julio Iglesia (I think)

Song #7: MT/FLN

like song #1

Song #8: MUT/COLD

like song #1 and #7 only shorter and faster

The Butthole surfers are from Texas and are very weird. See them live if you can.

 

Click here to download Hairway To Steven at 320 kbps from vinyl

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