Tag Archives: 80′s

Danny Elfman is the Evil King of the Gingers. This title affords him all sorts of red magic, charms and glitter powers.  Since 1984 he’s been using his quartet of fetish dolls to perform terrible tasks to make life terribly good for him.

The first black kitty cat with the squiggly zipper stomach on the left  landed him the gig of as soundtrack composer for every Tim Burton film ever made. It did this, of course, by breaking into Burton’s duplex in the middle of a full-mooned night.  Once inside, little kitty found Burton and made fun of his silk pajamas well past the break of dawn. Burton’s spirit was quickly broken–he handed over full soundtrack rights for the next century to Elfman by mid-afternoon.

The other three, especially Skeleton Jack over there, wrastled Elfman composer duties for the theme song to The Simpsons. You see, 20 years ago Matt Groening was really into training Shetland Ponies for the show circuit. It was basically the only thing he lived for. He enjoyed doodling every now and then but it was basically ponies for life. That is, until one night, when the Ginger Trio arrived.

Well, you know the rest…they poisoned his pony, Mr. Trickets, and promised the antidote in return for a contract to a show he’d have to create. And not just a show, a cartoon with yellow people. Lots of them. Too many to keep track of unless you watched the show every week for 20 years. And somehow Groening fulfilled his end of the bargain and got the antidote. But the fetish dolls killed the pony anyway the next evening by Burger King overdose.

All right, fuck this.

All I can think about while writing is the little field mouse that died in my apartment this week. He didn’t even get the dignity of dying in a trap laced with peanut butter or anything. No, somehow he squeezed his tiny body into my box fan and lost his life to a great spinning electric monster he couldn’t possibly understand.

He escaped a Kentucky’s midsummer monsoon by finding a dry 19th century home. He even made it up to the second floor to assure he was totally out of harm’s way. Once he wiggled his way through what I assume was a heating duct he was clever enough to outsmart two dark cats. Keep in mind that these cats are accomplished mouse hunters; both trained in the jungles of Clifton.

And all I can think about is that dead, chopped up mouse and Danny Elfman’s lyrics from the song on this 12″: “Life’s been so good to me, has it been good to you? Has it been everything that you’d expected it to be? Was it as good for you, as it was good for me? And was it everything that it was all set up to be?”

Well, that mouse probably heard this album pumping through my abode right before he died.  Sure, he might not  have understood English but I know he felt the vibes…I just know it. And I can safely say that his life was not as good for him as it was for you, Mr. Elfman. You are such an asshole.

Download Gratitude

 

It’s been scientifically proven time and time again that 97% of the world’s population lists John Mayer’s “Your Body Is A Wonderland” as their favorite song. The majority of the remaining 3% are split evenly between Insane Clown Posse’s “Hocus Pocus” and “that Lil Wayne song where he talks about money.” However, there are a few of us that take a the dangerous path away from the accepted norm. 

I’ve chosen “Everybody Want To Rule The World” as my favorite song. While I haven’t always been willing to admit this fact, it’s always been the truth. For a song to become your favorite it needs to pass through three very basic criteria: 

1) The song must be able to instantaneously lift your spirits, no matter your current situation. 

Of course there are exceptions, such as being in a prisoner of war camp in Vietnam and it’s crystal clear that Sly Stallone is too old to bust you out. But just imagine you’re broken down on the side 75 after a moon crater blew out your front left tire. Semi’s keep showering you with geodes and men in pickups continually throw beer cans at your domepiece because of the”Equality” bumper sticker slapped on your Prius. Just when you’re about to bust into tears your favorite song pops up on your radio/iPod/reel-to-reel sitting in the passenger seat and suddenly, the clouds part. A ray of sunshine trickles down and tickles your nose. Everything’s ok, everything’s perfect…Herr Timberlake said so. 

2) You have to be able to listen to this song on repeat for one week straight without going nuts. 

While, once again this sounds like something the Viet Cong would use to break one’s psyche, if executed correctly, it will have quite the opposite effect. If you’ve correctly identified your true, all-time favorite song the act of repetitive listening will induce a state of nirvana; an utter oneness. You can liken this to Buddhist monks who lock themselves in some mountaintop monastery and chant the same prayer a million times until they find enlightenment. Except you’re not praying; you’re listening to “The Humpty Dance” or some shit like that on repeat. 

3) Your favorite song must have a strong connection to a particular memory. 

It could be your first kiss, that time your enemy threw up cheese coneys at the fair, or the time you wore those really nice chinos. My memory involves driving through the mountains and valleys surrounding Sandy City, UT in a black Chevy Chevette. It was hot as hell and the chrome seatbelts kept burning my stomach. Also, the red tweed seats scratched the hell out of my back. My mom told me not to bitch because she didn’t anticipate little kids riding around in the back without shirts in the dry, dead heat of a Utah Summer when she bought the car. 

Sit down! Shut up!

Actually, now that I wrote it out, that sounds like a terrible memory. So, why do I like this song? Hmmm. 

>>>Click here to download The Extended Version 12″ 

 

There’s a new record store in Cincy called Another Part of The Forest that has a TON of awesome singles from the 80′s. I picked up a few while I was there this past week and will be back soon to feed my craving. Many of those singles all came from one huge collection with handwritten notes on each album cover. I feel bad for the DJ that had to let go of his preciouses. Everyone keep this New Wave Club Kid, whoever he/she is, in their prayers.

May Stacey Q smile upon you once again, my fallen turntable warrior.

Praise be unto Stacey.

 Click here to download the Two of Hearts 4-Song Single

Tracklist

A   Two Of Hearts (Vocal / European Dance Mix) 6:00  
B1   Two Of Hearts (Instrumental) 4:39  
B2   Two Of Hearts (Vocal / Radio Edit) 3:58  
B3   Stacey’s Dream (A Capella) 2:32

You all will know this as the memorable tune from the teen-angst-turned-young-adult-triumph tale The Breakfast Club. You know, it plays throughout pretty much the entire film–most notably at the end when the suspiciously old-looking Judd Nelson pumps his leather-clad fist triumphantly into the crisp autumn air as he passes under the home team’s goal post. The scene froze as Judd’s bad ‘tude fouled the once virgin soil of Glenbrook North’s turf. That cinematic effect forever locked Judd in the bliss of near youth. That single fist pump told America that yes, movie stereotypes of high school cliques really can get along.

They totally believed I'm a teenager. Yes!

So yeah, Simple Minds performed that song and this is the longer version of that song. And you know what they say, longer Simple Minds songs really do satiate a woman’s supple fantasies in a more efficient, glistening manner.

The B-Side of  “Don’t You (Forget About Me)” is an ambient new wave jaunt into the heart of Molly Ringwald. Should she really wear such high boots with that low-neck pink blouse? It hasn’t been tried before but she’s the most popular girl in the school so she can pretty much do what she wants. However, if she makes  a huge fashion faux pas her position at the top may be jeopardized. On the other hand if you don’t take risks you’ll become stale and that new girl from Seattle will finally become appealing even though she wears Chuck Taylor All-Stars like SUCH a dweeb. Well, you better make your choice, you’re going to be late for detention…and you’re NOT going to spend another Saturday in that sluthole.

Emilio...why don't you like my boots? EMILIOOOOOOO!

“A Brand Band in African Chimes” is almost akin to some of the more ambient stuff by M83. Except this is real deal 80′s teenage angst.

<<Click here to download the Long and the Beautiful>>

Keeping up with the trend of strange albums I present Hairway to Steven. This album sat in the unplayed pile for more than 5 years until today. Its memory just evoked visions of teeth gnashing with hacked up smoker’s phlegm smooshed into long, oily hair. I just couldn’t handle the flashbacks of 1 West.

However, the listen today made me once again realize that tastes can change for the better because this album is fantastic. It’s best used to neutralize the awful yelping of your neighbor’s dog. Once this bad boy began spinning amidst the open windows and supple Kentucky spring breeze the mutt dog (cute but far too boisterous) adjacent to my house stopped his usual abused dog soapbox spiel and took listen to the horribly brilliant sounds of the Butthole. I can only imagine what strange ultrasonic transmissions he received.

The following album notes were handwritten on the album sleeve when I got it. They’re from some long-lost disc jockey affiliated with either WYCC (Google brings up a Chicago PBS station…I highly doubt this disc spent a tenure at the dignified digs of Public Broadcasting) or WMSR in Oxford, OH. I thought his or her insight into the disc were the real icing on the butt cake. If anyone knows what the abbreviations mean before each track description please enlighten the audience.

Unfortunately (depending on how you look at it), no song titles have been supplied. Instead there are kinda rude drawings for each tune. We’ll just think of them as song #1, #2, etc.

SIDE ONE:

Song #1: MT/MAJOR SHIFT, SOUNDS LIKE  A NEW SONG/VERY QUICK FADE

Kinda typical surfers, lots of drums & wigged-out guitars w/ occasional mutated voice. Barnyard noises are included in the second, more sedate half of the song.

Song #2: MUT/COLD

considerably more “normal” dark psychedelia

Song #3: MT/Fade

“I saw an x-ray of a girl passing gas.”

and why not?

Side 2

Song #4 (live): MT/FADE on clapping

about smoking, love & hate

Song #5: MUT/FLN

Song #6: MUT/FLN

rockabilly about Julio Iglesia (I think)

Song #7: MT/FLN

like song #1

Song #8: MUT/COLD

like song #1 and #7 only shorter and faster

The Butthole surfers are from Texas and are very weird. See them live if you can.

 

Click here to download Hairway To Steven at 320 kbps from vinyl

*album download below*

Phantasmagoria has curiously been out of print in North America for some years now. However, I was fortunate enough to pick up this copy from an area radio station that liquidated their vinyl cellar. Suckers. I didn’t know what it was at the time but the name sounded slick enough, so, I added it to my stack. Thank my Capricorn stars for my dumb luck because this album is devilishly delicious.

Some musicados recognize Phantasmagoria as the ruling High Court in the Confederate States of Goth. Others tattoo it with a regretful London Classic Punk tramp stamp. Then there are a few who will whisper rumors of it being a dark wave bastard child.

I couldn’t give a raven’s ass what musiclique it falls into.

I just know that this album’s spent countless hours spinning at 33 1/3 rpm in close proximity to my person. The effects of such ghastly activities were disturbing. Prolonged rotation caused the disc to emit an unknown form of radiation, which greyed my locks in similar fashion to lead singer David Vanian’s.

At first I thought it looked crack dandy. Hot Topic gift cards started arriving in the mail from a secret admirer, which only sweetened the honey pot. But my cat kept hissing relentlessly and scratching my eyelids while I slept so the funky folicles had to go. Luckily, Blanks Pharmacy sells knockoff hair dye called “Just For Tuff Dudes” on the cheap.

Don’t miss out in this one, you ghouls.

 

Click here to download Phantasmagoria

 

*download album below*

Ok, so this is the most important piece music of the 20th century. Yes, you read that correctly. In 1982 L. Ron Hubbard introduced Space Jazz, the first ever soundtrack to a book (not just any book…Battlefield Earth!!!) and forever altered the creative path of human history. Many historians credit this album with slaying the incredible high-hat breathing Disco Dragon. Others blame it for laying the Yoshi egg that hatched Lady Gaga. However, there’s much more to this story than hilarious musings…

Exhibit A!

(from the album gatefold)

SPACE JAZZ is a completely new musical sound destined to be hailed as the music of the future. The many and varied forms of music are an integral part of the cultural heritage of Earth.

Now, the sound of the future has been established by L. RON HUBBARD, author of the blockbuster science fiction novel Battlefield Earth.

The concept of a soundtrack is something one normally associates with motion pictures. Now for the first time ever–a soundtrack for a book–Battlefield Earth–”Space Jazz.” Think of the “Star Wars” Sagas, and “Raiders of the Lost Ark,” mix in the triumph of “Rocky I,” “Rocky II” and Rocky III” and you have captured the exuberance, style and glory of “Battlefield Earth”–The Evening Sun, Baltimore MD.

Consider the magnitude of the challenge Hubbard set himself. Conventional musical instruments and even huge symphony orchestras have their limitations. He turned to the technology of the future–computers.

Recent breakthroughs in computer musical instruments offered the needed versatility to match his new musical concepts.

Today, a computer is able to reproduce any natural sound. It can record a single note of a musical instrument and from that reproduce the rest of the instrument.

But better yet, it can take any sound and turn this into a rhythm. A coyote can sing the blues. A horse can tap dance. Liquid can splash out a Strauss waltz. Laser beams can hum a lullaby. You name it and you can get it

Yes, L. Ron Hubbard took the most technologically advanced musical instrument of the time, the Fairlight Computer Musical Instrument, and used it to recreate the sonic feast of a horse tapdancing! Thank your stars L. Ron Hubbard was one of the first people to get his hands on the $25,000 Fairlight CMI and thus create this epic masterpiece. What follows is just a small sampling of L. Ron Hubbards musical pioneering.

Exhibit B!

Be sure to carefully absorb the rich tonal haunches in this track. The playful neighs of the heroic horse Windsplitter, created through the Fairlight CMI’s digital processor, stir feelings of hope within the listener that, yes, man, beast and machine can coexist peacefully in a world free of Psychlos.

Exhibit C!

L. Ron Hubbard used his Hubbard Electrometer to test if tomatoes felt emotional pain. Seriously, check out this UK Telegraph article.

Ok, so I took a long time to trying to figure out exactly what this album was all about. I looked for hidden answers about Scientology in the ridiculous anti-stereo narration. I then looked for some sort of psychic pattern in the horribly repetitive and shrill synthesized filler “music”. Finally, I sought solace in the suspiciously mundane track titles:

1. Golden Era of Sci Fi

2. Funeral For A Planet

3. March of The Psychlos

4. Teri, The Security Director

5. Jonnie

6. Windsplitter

7. The Mining Song

8. The Drone

9. Mankind Unites

10. Alien Visitors Attack

11. The Banker

12. Declaration of Peace

13. Earth, My Beautiful Home

But I didn’t experience even a single mysterious revelation from on high.

So I listened again. And again. And again. And upon my umpteenth listen, just as Space Jazz began evoke memories of my endless hours spent playing Oregon Trail 2, the answer blasted itself all over my face: L. Ron Hubbard was the greatest practical joker of all time.

His absurdly bogus biography, his hackneyed bibliography, his intensely whacko yet ridiculously profitable Scientology cult had all been part of the greatest monkeyshine ever unleashed on mankind. The man was a hybrid of Andy Kaufman’s unflinching, rabble-rousing comedy with  Joseph Smith’s pied-piper espièglerie–now that’s saying something.

The aural assault Space Jazz makes complete sense when you view L. Ron’s life in that light. You could even say this composition was the punchline to a lifetime of pocket-emptying tomfoolery.

So, Xenu bless you, L. Ron Hubbard…you hilarious fucking bastard.

Click to download SPACE JAZZ to the futuristic 320 kbps

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I wish I had a personal tailor so that he could make me a double-breasted suit coat with the pattern from this album sleeve. The suit coat would also have 3/4 sleeves and big, I mean freakin’ huge, shoulders and probably some gold buttons…maybe even with anchors on them. Then I’d go to the salon and purchase all of the Paul Mitchell hair products they had from this chick:

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Then I’d hop into my all white 1985 Mercedes 500SL with the AMG Package:

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Finally I’d pop the Pet Shop Boys into my Dolby Noise Reduction-enabled Becker Grand Prix tape deck:

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And listen to the West End Girls Dance Mix as I cruised down a palm tree-lined boulevard:

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And with that my 80′s summer day fantasy would be complete.

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Click to Download West End Girls 12″ to MP3

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The Special Dance version of  ”The Rhythm is Gonna Move You” is more or less the same song albeit longer and markedly more dramatic. The dub version on this disc is where things get really interesting. The song starts off with a funky synth part that is reminiscent of the intro to Harold Faltermeyer’s song “Axel Foley,” which is better known as the theme song for Beverly Hills Cop. It then takes its many detours through Conga Junction, New Wave Fashion Catwalk Way and Synthesizer Station. The end result is an terrifically exotic song jammed pack with the mesmerizing “Ooooayyyoooaaayyyy…..OoooayyyooooOOOOOOOahhhh”  hook throughout. Hip whip outta this world.

Click here to download the Special 12″ Dance Mix single

Tracks

1) Rhythm Is Gonna Get You (Dance Mix)

2)Rhythm Is Gonna Get You (Dub Mix)

*download below*

Everyone needs albums in their collection that remind them one should never take music too seriously. These albums shoulds say yes, it’s ok that I like some groups that have had a top 40 hit. Yes, from time to time I do enjoy a band that fits into a genre or genres that would otherwise make my skin crawl. Yes, sometimes I wish I was a woman so that I could put one of those towering towel-bun things on my head, slather on a creepy-cream-cheese-or-whatever-the-hell-it-is-mask with my gal pals and let loose. You know, just put on the Go-Go’s and get our nails did while talking about boys or periods or crying or whatever it is chicks chat about when they’re having a tickle-fight sleepover.

You know just live, laugh, love. Lollipop lesbian Lilliputian.

This is one of those albums that will make you disregard all  cohesive thought structure and just let go-go of the world around you. Two of the best songs from the 80′s are on this album: “Our Lips Are Sealed” and “We Got The Beat”. If you’re unfamiliar with these adorable “new wave quirk” behemoths then observe the following:

Nothing displays a carefree attitude better than packing all of your girlfriends into a copper-colored 1960 Buick LeSabre convertible and hitting the open road. This is especially true when you’re adorned in your favorite 50′s regalia while sitting on the trunklid and disregarding all traffic laws. The wind in your hair, bugs in your teeth and cops on your ass.

BUT WAIT THEY GOT IN THE FOUNTAIN! THEY’RE DANCING IN THE FOUNTAIN AND SPLISH-SPLASHIN TO THEIR HEART’S CONTENT! I’M SO JEALOUS OF YOU, BELINDA CARLISLE! DAMN YOUR FREEWHEELING WAYS!

Here again we see them displaying a total disregard for their personal safety as they pull up to their live show in the back of a 50′s pickup. Where are these girls getting such badass vintage whips? Were they servicing Jay Leno as he started out his stand-up comedy career? I must get to the bottom of that.

The biggest thing that upset me about that video is the Farrah Fawcett wannabee crowd surfer the camera keeps cutting to. She is so totally 70′s…it kills my new wave buzz so hard. GET THAT HAIR RELAXED, GIRL. THIS AIN’T A BOSTON CONCERT!

There are plenty of other great songs on the album. My personal favorite of the rest is “You Can’t Walk In Your Sleep (If You Can’t Sleep).” I’m pretty sure this is the only song on the album that was written by Belinda Carlisle. It has a bit more of the ‘tude than the other tracks with its wiggly walking bassline and heavy pop punk foundation. The chorus doesn’t really make much sense but I’ll forgive them…only because the song conjures visions of Carlisle’s bratty nose squenching over and over in a fit of passion.

Click here to download Beauty and the Beat

In my final notes I’d like to put the nail in the coffin as to just how fun the Go-Go’s are. Apparently 6 weeks after this album hit #1 on the charts a backstage video of the girls leaked to the press. The contents of that video, which are reported to be of the sex, drugs and rock and roll variety, really tarnished the Go-Go’s wholesome persona. 

This loss of fan support is hilarious because it seems today that you have to make a scandalous tape to be famous. Or at least if you’re not famous you can “leak” a sex tape in hopes of becoming famous. What’s even more ridiculous is that there isn’t any actual Go-Go’s sex or nudity just some qualude-popping creep who, according to the description of the film I’ve read here, keeps flashing his junk in the hotel room of a Holiday Inn.

Too bad there wasn’t any YouTube back in the day because I bet there would have been an awesome Go-Go’s equivelant to the “Leave Brittany Alone” guy. *sigh*