Tag Archives: Ambient

 

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This is the album that shepherded me into the rolling knolls of Vinyl Hunters Valley. This is because it causes the most mysterious synaptic firings within my squishy grey matter. Makes my temples swell with a pleasing uneasiness. Causes mysterious pockets within my loins to quake and flutter. 

It's my HEAD, Schwartz, it's MY HEAD!

OK, so basically I have no idea what it does to me but I’m certain it transmits some sort of ultrasonic frequency that says, “GO ON EBAY AND BUY A TURNTABLE RIGHT NOW. NOT LATER, NOW. TURN OFF COPS, YOU’VE SEEN THIS EPISODE, GUY, BUY ONE NOW.” So I did and never looked back. 

Despite the fact that I love, love, love this album I’ve been avoiding reviewing it here because it’s difficult to capture the essence with letters. Most stereoponies love to saddle the “Trip Hop” label onto this album but that does it no justice whatsoever. That term conjures the visions of hippies listening to hip hop, smoking a big J and spouting, “whoa man this rap groove is, like, so trippy. It’s totally gnarring my buzz, man.” While this album will most likely multiply and sassify marijuana-induced intoxication it’s so unfair to tie it to pot culture. Endtroducing would never, EVER get caught dead in patchwork corduroy pants. 

Our youth are under attack.

Other bucking vinylbroncos like to describe  the album by mentioning Endtroducing’s ingredients: hip hop, jazz, psychedelia, movie dialogue, television show trialogue, percussion samples etc. However none of these phonocowboys can ever really capture this wild one.  True, you get a flavor of each along the winding train ride through British Columbia that is Endtroducing but it’s so much more than bits and pieces. It’s like describing your favorite pizza to a friend and saying, “Yeah man I had this awesome food today it was, like, a bit of tomato, flour, a touch of salt and some, like, I think cheese.” Those ingredients are all fine and good but separately they wouldn’t do an Adriatico’s Bearcat Pizza justice just like calling this album a fusion of genres is a crime. The sum is much greater than the parts. 

I think, maybe, this album is like watching the most beautiful little bubble you ever saw. You can watch it dance on the wings of an invisible wind but as soon as you try to capture the damn thing in your hands it’s gone. You’ve taken your dirty little paws and ruined such a magical, delicate thing. You should be ashamed of yourself. We were all having such a wonderful time watching that little orb. Next time chill out, stop trying to bottle it up and just behold its angelic splendor while the gettin’s good. 

"From listening to records I just knew what to do...mainly I taught myself. And you know I did pretty well...there were a few mistakes that I have just recently cleared up. I'd just like to continue to be able to express myself as best as I can. I feel like I have a lot of work to do still. I'm a student of the drums and I'm also a teacher of the drums too. And I would like to be able to continue to let what is inside of me, which comes from all of the music that I hear, I'd like for that to come out, and it's like it's not really me...the music's coming through me."

What’s truly incredible about Endtroducing is how it was composed. You have to remember that this was created in 1996 and if anyone even had a laptop it could maybe hold a gigabyte of files, if you were lucky and rich. In addition, music manipulation software like AudioMulch or Adobe Audition hadn’t been invented yet. So, Shadow had to use an Akai MPC-60 music sampler/beat machine to cut, splice, and melt his tracks together. If you then take into consideration exactly how much trial and error of listening to thousands of big vinyl discs it took to find the necessary sounds for the album it becomes evident that either a miracle was performed in the making of Endtroducing or Shadow’s some sort of DJ genius. I prefer to believe the latter, especially after taking watching the following video. 

 

So if you haven’t heard this album, regardless of what music you’re into, you need to get in the boat and get your float on. If you’re a fan you can always use a higher quality rip. And, if you really want to get deep, pick up the vinyl and take a voyage into the continental divide…of your mind!!!! 

Click here to download Endtroducing

Cincinnati Metro was blanketed with 5 inches of fluffy snow this morning and afternoon. The doomsday-loving weathermen told me it’s supposed to snow shower again this evening. So, I figured I’d post this album because it’s a perfect soundtrack for watching the birth of a wintry mix.
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Get comfy, turn up the warmly glowing McIntosh Tube Amp-driven system I assume you all own and behold the beautiful dance of tiny, frozen ballerinas outside of your listening room window to the soothing sounds of M83.
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I picked up this record solely because of the ridiculous lineup of instruments. Rob Mazurek uses the following: cornet, organ, celeste, piano, prepared piano, harpsichord, noise box, moogerfooger analog delay and ring modulator. The second half of the duo, Chad Taylor, plays drums, cymbals, mbira, gongs, percussion, vibraphone and prepared vibraphone. I had a look a couple of those up to make sure they weren’t trying to pull a fast one.

I wish my last name was Moogerfooger

Pouring such a complex array of sounds into an album increases the chance that said album will play with the musicality of a clothes dryer simultaneously fluffing a can of pea soup, a toddler and a string of Christmas lights. Chicago Underground Duo luckily avoids this trap and uses each instrument in perfect proportion. What they were able to achieve with such a well-stocked toolbox is seven uniquely alive tracks. Each has its own personality–it shakes your hand differently, tips differently and prepares its hash browns differently. You always want them to get cheese on that shit so you can steal a few bites but they never do, which really pisses you off but you turn the other cheek because they’re just so cool. That and they have a bitchin’ Cadillac they let you borrow while they’re on business trips.

Vibraphone: The rich man's xylophone.

Vibraphone: The rich man's xylophone.

I’d try to quantify or qualify how the dainty pluck of the mbira, or thumb piano, was really a step forward in Taylor’s artistic development but I’m not going to do that. The reason is that this is one of those albums that has the opportunity to mean completely different things to each listener. Each song has a distinct theme but this theme doesn’t box in the listener’s train of thought.This doesn’t mean they aren’t engaging; it just means that they enable you to unleash your inner most thoughts and ride them high in the friendly sky. It’s the magic carpet you can hop on while you’re soaking up the calming effects of a scented candle or smashing a  fat  ass  blunt.

Mbira: Traditional African instrument. So dainty.

Finally, I feel that it must be noted that John McEntire’s engineering on this album is fantastic. Every instrument is perfectly defined and represented with full voting privileges. I’ve never been one to buy a record based on who was working the knobs behind the scenes but I’m going to make an exception this time. He took an album that could have been good and made it great.

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Click here to download In Praise of Shadows to MP3 from vinyl

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Harpsichord: Black keys make everything cooler.

Harpsichord: Just look at those badass black keys.

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super boss ambient/instrumental/spacefloat/musical slip slide.  great for sleepy times, thinky times, or nakey times.  ride the snake.

Track List

A1 – Version 1 (6:08)

A2 – A.W. Sonic (11:06)

B1 – Sputnik (2:55)

B2 – Down The Elements (16:52)

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Vinyl Rip Here

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