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Tag Archives: Field Recording

The awesome album cover copy on the Environments discs never ceases to amaze me. It’s always unintentionally serious and hilarious at the same time. You can check out another one posted on Rebuilt Tranny here and here.

The following copy is from the back of the album cover for volume three.

Side 1

Be-In (A Psychoacoustic Experience)

Sheep Meadow, Central Park, New York City

April 6, 1969

34 minutes, 17 seconds

Before the terrible fire. Details below.

The 1969 Easter Be-In in New York’s Central Park has come to be regarded as a sort of high-water mark for the new almost vanished Love Generation.

The tremendously diverse crowd kept growing and gathering momentum until almost everyone marveled at this spontaneous “thing” that had taken place in the park.

This Be-In was certainly not the biggest gathering of young people to take place in 1969. However, there are many things that happened during this recording that make it a rare, magical moment.

The recording captures with honesty and total realism this particular instant in time which in retrospect seems more than a bit unreal.

Be-In  is the real experience of running barefoot in the grass on a beautiful spring day, surrounded by thousands of half-innocents exhibiting little, if any, trace of paranoia or guilt.

If you were ever at a massive, totally spontaneous gathering in 1969, we think you know the feeling we mean.

This particular disc is unlike anything you’ve heard before; we call it a “psychoacoustic” experience”. It recreates an event with such realism that it actually seems to be happening again. We think that once you experience the total immersion of this encounter, you’ll agree with us that Be-In is something special.

The following video is an example of a rare, magical moment at Central Park in 1969.

Side Two

Dusk at New Hope, Pennsylvania

August, 1970

36 minutes, 51 seconds

Imagine a warm summer night deep in the verdant backwoods in Eastern Pennsylvania.

An infinity of sound stretching out before you. The steady, yet constantly changing drone of countless tiny insects, reminding you of the serenity and timelessness of nature. For in the distance, a hound occasionally barks.

You feel as if you are a thousand miles from the annoyances of city life.

If you can imagine such a night, you pretty much know what our recording of Dusk at New Hope is like.

This highly realistic stereo sound took almost a year of location work and patient testing to perfect. In its present form, it is a perfect compliment [sic] to other natural sound recordings in this series.

In an urban setting, we think you’ll be amazed by the profound changes that take place when you play the disc as a background sound. Many people find that the sounds of night in the country are second to none in creating a setting for increased interpersonal relationships.

Dusk at New Hope can be left on for very long periods of time without inducing fatigue or boredom. Once you become familiar with the sound, we are certain that you will find many new uses for the effect.

How do you make more crickets?

Bonus copy excerpts from the album gatefold.

Be-In

Later in the day, there would be rock throwing and confrontations with the small contingent of policemen nearby, and a terrible moment when a nude dancer leaped into a roaring bonfire, but for this moment in time, frozen on a real of magnetic tape, everyone seems together and happy.

Dusk at New Hope

A little known fact about field crickets is that it is possible to determine the ambient temperature of their surroundings to a fairly accurate degree by simply counting the number of chirps in a fifteen-second period and adding forty. Thus, we have deduced that the temperature at the time of the recording was approximately 65 degrees Fahrenheit. This formula works quite well for field crickets between the temperature range of 55 degrees and 100 degrees Fahrenheit. Above and below these temperatures the cricket no longer sings.

>>>Click here to download Environments Vol. 3 at 320kbps

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