Tag Archives: Hip Hop

Tying down the sound that Tobacco uses on this album can be a bit of a challenge. There are so many analog, digital and motocicletic manipulations of good, church-going sounds. I think the cover really is a good place to start. It’s fair to liken it unto a journey untertaken by big bowl of sweet meat beats while being chewed and gnashed by a muscley Pat. Manlady ate all sorts of Legos and carpet earlier in the day so shit gets hairy once everything arrives in Gullet Town.

But I think the best way to describe this is by remembering the first time you tripped some serious balls on shrooms. You remember, you were camping on the bank of the Great Miami River just outside of Harrison, OH. It was early summer and you could hear Edgewater Dragstrip from just outside of the valley. Those blown Mustangs and funny cars sounded like prehistoric beasts fighting for a giant rack of Fred Flintstone ribs.

It also happened to be the weekend of Gravelrama on the opposite side of the river in Cleves, OH. Gravelrama celebrates the tradition of Rednecks getting loaded, playing loud hillbilly music and ramping their 4-wheelers up and around a gravel track in what they call a “race”.

Between the dragstrip and the good ol’ boys’ convention it sounded like World War 3 had broken out over the baby blue airspace blanketing the protected Ohio watershed.

So it wasn’t surprising that soon after you downed your 1/8th ounce of funky cowpoop mushies the sounds of the ‘Rama took you by the cerebelum. Not in the way that a Geico commercial will hold your attention for 30 seconds and then immediately leave you playing the husk of a man role on Law & Order. No, because the thwomp el shroomhammer laid on you that early summer evening knew no time. You were locked in the midst of the nothing, staring into a  tiny cesspool on the Great Miami, observing the mosquito breeding ground and just knowing what they were up to. You just knew.

Suddenly, you heard the ominous beat of a drum, the kind primitive people construct from a hollowed tree stump and stretched hide of animal skin. It became louder and louder, emanating from around the bend…somewhere off toward I-74. And then it appeared, a viking ship, a real life viking ship curling around the bend in all its awesome splendor. You could see the men rowing their long oars in tempo with the terrible pounding of the deerflesh drum. Onward to pillage the awesome treasure of your recently discovered bloodsucker fucking ground. “You can’t have it!” you yelled. “Their diseases are mine!” And you stood ready for a fight, even if it meant tearing your brown Levi’s Action Slacks. But as soon as they rounded that tiny little bend in the supposed Great they were gone.

And it became quite apparent that everything you knew, even the 15-minute-old memory of that Wendy’s JBC, didn’t seem real anymore. You were transported to a scene that you’d only seen on television in the no man’s land of 80′s summertime Saturday programming. Crazy trees that whispered directions to an abandoned trailer at the fork in the trail you dared not trespass. Purple mists that sprang from the gravel, the dirt, thin air and your suspiciously dry palms. Your fellow campers grew three sets of eyes, two mouths, and the ability to spit fire representing every spectrum known, and unknown, to scientific man.

Eventually, you left your party and sat in the forest to think of time and all eternity. Roots and thickets of all races laughed, played and grew from every part of your being. You became a fully functioning, almost necessary part of the forest. If you left, your leafy green friends would lose all knowledge of man, and therefore, the upper hand. The forest’s understanding of empty fiberglass boat hulls, giant tractor trailer hubs, aluminum dishwashers, Appalachian sized mountains of beer cans would all be lost. The forest would again become retarded…no longer a participant in our ugly pissing game.

And then, out of nowhere, your slinky friend showed up. He was obviously lost in some sort of Very Old Barton trance. He saw neither here nor there and, therefore, did not see the Buckeye tree planting its vulgar root at the base of your skull.

So, standing before you and oblivious to your presence, or that of God, he removed his pants und underskins and exposed his soft pleasure to find divine relief from his bourbon laden insides . But, instead of a penis…long, short, crooked, tanned, stove-burned…there was a spinning paisley vortex in its place. Just a terrible choke of tie patterns laughing at the both of you; learning how to breathe and downloading the latest version of Powerpoint to your hard drives.

>>>Click here to download the best thing to happen to you since blue vinyl gloves.

Note the autographed copy.

and now…

Note the most awkward album signing of the 21st century.

 I went to see Themselves at the Southgate House in the winter of 2003 with my brother. At the time I had this little Canon digital camera that took its sweet old time capturing precious moments. So, it could take anywhere from 5 to 10 seconds from the time photographer pressed the clicker to when the shutter snapped.

Anyway, I went up to the merch booth after the show with my brother and struck up a conversation with Dose One. We discussed the show and how I worked with a guy that used to tour with him back in the day. While I was trying to help him remember how he used to rap with a guy I washed Porsches with, a guy named Zebediah, I got the brilliant idea that I should get my freshly purchased albums signed.

I asked Dose if it wouldn’t be too much trouble, to which he replied “hell naw” while whipping out black and silver markers. He signed The No Music original LP with a little black Sharpie drawing on the front. It was really quite adorable. For The Remixes he pulled out the sparkle silver job. I thought, “Yo Boy, you better get this histowic moment on record or your crew will NOT believe it. Word is bond!”

I handed Junior the janky little digi, struck the thumbs-up pose and copped a triumphant smile. Dose did his best to look excited and we froze the pose. And then everything hit slow mo. We both could see the little infrared autofocus light on the front blinking, so we just sat there waiting for the flash. And waited. And waited. I had totally forgotten about the totally unreliable snap. It was the longest 10 seconds of my life.

Suddently, Dose One grabbed my erect thumb and shook it. He grabbed that little dude and went down to Funky Town. What you see in the picture is the immediate aftermath of that member molestation. This wiggle ushered in a total loss of cool…and the moment I decided I’d never get an autograph ever again. 

Click here to download The No Music at 320 kbps

Tracklist

A1   Terror Fabulous 4:03  
  The No Music Of Hospitals.
A2   Hat Set For Butler 2:42  
    Remix [Demix] – Themselves
A3   Mouthful 4:12  
    Keyboards, Bass, Guitar – Jerome Opena
  Remix – Controller 7 , Matth
B1   Good People Check 5:03  
    Remix – Hrvatski
B2   Poison Pit 3:15  
    Remix – Why?
B3   Livetrap 2:51  
    Remix – Hood
  The No Music Of Mother’s Milk And Going Deaf.
C1   Only Child Explosion 2:56  
    Remix – Alias (3)
C2   Dr.Moonorgun Please 3:20  
    Remix – Grapedope*
C3   Darkskydemo 4:18  
    Remix – Fog
D1   You Devil You 4:26  
    Remix – Odd Nosdam
D2   Out In The Open 5:35  
    Remix – Notwist, The
D3   Hat In The Wind 7:13  
    Remix – Electric Birds

 

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This is the album that shepherded me into the rolling knolls of Vinyl Hunters Valley. This is because it causes the most mysterious synaptic firings within my squishy grey matter. Makes my temples swell with a pleasing uneasiness. Causes mysterious pockets within my loins to quake and flutter. 

It's my HEAD, Schwartz, it's MY HEAD!

OK, so basically I have no idea what it does to me but I’m certain it transmits some sort of ultrasonic frequency that says, “GO ON EBAY AND BUY A TURNTABLE RIGHT NOW. NOT LATER, NOW. TURN OFF COPS, YOU’VE SEEN THIS EPISODE, GUY, BUY ONE NOW.” So I did and never looked back. 

Despite the fact that I love, love, love this album I’ve been avoiding reviewing it here because it’s difficult to capture the essence with letters. Most stereoponies love to saddle the “Trip Hop” label onto this album but that does it no justice whatsoever. That term conjures the visions of hippies listening to hip hop, smoking a big J and spouting, “whoa man this rap groove is, like, so trippy. It’s totally gnarring my buzz, man.” While this album will most likely multiply and sassify marijuana-induced intoxication it’s so unfair to tie it to pot culture. Endtroducing would never, EVER get caught dead in patchwork corduroy pants. 

Our youth are under attack.

Other bucking vinylbroncos like to describe  the album by mentioning Endtroducing’s ingredients: hip hop, jazz, psychedelia, movie dialogue, television show trialogue, percussion samples etc. However none of these phonocowboys can ever really capture this wild one.  True, you get a flavor of each along the winding train ride through British Columbia that is Endtroducing but it’s so much more than bits and pieces. It’s like describing your favorite pizza to a friend and saying, “Yeah man I had this awesome food today it was, like, a bit of tomato, flour, a touch of salt and some, like, I think cheese.” Those ingredients are all fine and good but separately they wouldn’t do an Adriatico’s Bearcat Pizza justice just like calling this album a fusion of genres is a crime. The sum is much greater than the parts. 

I think, maybe, this album is like watching the most beautiful little bubble you ever saw. You can watch it dance on the wings of an invisible wind but as soon as you try to capture the damn thing in your hands it’s gone. You’ve taken your dirty little paws and ruined such a magical, delicate thing. You should be ashamed of yourself. We were all having such a wonderful time watching that little orb. Next time chill out, stop trying to bottle it up and just behold its angelic splendor while the gettin’s good. 

"From listening to records I just knew what to do...mainly I taught myself. And you know I did pretty well...there were a few mistakes that I have just recently cleared up. I'd just like to continue to be able to express myself as best as I can. I feel like I have a lot of work to do still. I'm a student of the drums and I'm also a teacher of the drums too. And I would like to be able to continue to let what is inside of me, which comes from all of the music that I hear, I'd like for that to come out, and it's like it's not really me...the music's coming through me."

What’s truly incredible about Endtroducing is how it was composed. You have to remember that this was created in 1996 and if anyone even had a laptop it could maybe hold a gigabyte of files, if you were lucky and rich. In addition, music manipulation software like AudioMulch or Adobe Audition hadn’t been invented yet. So, Shadow had to use an Akai MPC-60 music sampler/beat machine to cut, splice, and melt his tracks together. If you then take into consideration exactly how much trial and error of listening to thousands of big vinyl discs it took to find the necessary sounds for the album it becomes evident that either a miracle was performed in the making of Endtroducing or Shadow’s some sort of DJ genius. I prefer to believe the latter, especially after taking watching the following video. 

 

So if you haven’t heard this album, regardless of what music you’re into, you need to get in the boat and get your float on. If you’re a fan you can always use a higher quality rip. And, if you really want to get deep, pick up the vinyl and take a voyage into the continental divide…of your mind!!!! 

Click here to download Endtroducing

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This past Saturday I went to the RJD2 show at Southgate House in Newport, KY. It’s my favorite venue for a number of reasons: it’s a big converted creepy mansion reminiscent of The Munster’s crib, it usually has three shows playing at a time on various levels and it has the best quality sound system within a 100 mile radius. Also, by sheer coincidence they were playing Ray Charles on the patio’s PA system the night he passed so it will always hold a special place in my heart.

Anyway between sets filled with nose-tickling bass the title track from Blackalicious’ Blazing Arrow came on over the PA in the ballroom. Instantly it took me back to 2002 when I was heavy into the underground hip hop scene. Back when I was gobbling up anything coming out of Anticon Records, attending Scribble Jam in the summers and wearing Puma knit caps. I think it went hand in hand with attempting to become one with the decrepit urban landscape of Cincinnati. Wanting to become grittier…more legit if you will.

Over time I strayed from the heart of the hip hop scene. For a long time I thought that I was just growing up but on Saturday night, standing there in the middle of the ballroom of Southgate House amidst the odd mix of hipsters, hippies and oafish frat dudes, I began to reassess my hip hop position throughout the bubbling jaunt that is “Blazing Arrow.” Had I been wrong about hiding this double LP away in the bottom of my crates?

Well, after cleaning off the layers of resin that had accumulated on these discs from my days non-stop bong ripping, I took a listen and can tell you that I was so very wrong for letting this vinyl fester. This is one of the most completely balanced albums that I own. Usually with hip hop from earlier in the decade you get one mood. With Jurassic Five you got fun old school lyrically-driven hip hop. With Talib Kweli you got the real deep shit that made you contemplate the direction of your soul. Sage Francis just creeped you out, like being inside a musty old sleeping bag as a stranger tickles you from within the darkness. Each artist chose to go their own way and we were ok with that.

But with Blazing Arrow you got a little bit of everything. And surprisingly all corners of their musically mansion were tastefully adorned…exquisitely even. There’s never a point in this album where you don’t believe the artist’s ability to work this or that particular flow. It also helps that Blackalicious collaborates with Chali 2NA, Lateef The Truth Speaker, Chief Xcel, DJ Shadow, Hi-Tek, Ben Harper, Cut Chemist, DJ Babu, Zack de La Rocha, Saul Williams, Lyrics Born and plenty of others on this disc.

As I stated before the title track is just a poppin’ and skippin’ number that you can’t help to bob your head to. If you listen to it and your head ain’t moving, and your head ain’t in traction, then you’ve got serious groove problems. Then you go to tracks like “Chemical Calisthenics” where the word conveyor belt goes haywire at the lyric plant and verbs, adjectives, solubles, and isotopes flood the boiler room. On side 4 Blackalicious takes you real, real deep down into your subconscious with the psyche-shattering “Release Part 1, 2, & 3″.

It skips all of the touristy section of the city and hits up the hottest club, the holiest mosque and the dirtiest whore house. It takes you everywhere you need to go to become a true citizen of the Hip Hop Nation, even if aren’t comfortable with your new surroundings at first. Don’t worry, you’ll eventually settle right in.

It makes me sad that I neglected this masterpiece for such a long time. Luckily my ears are still working and I can make up for the lost time. Just don’t make the same mistake I did.

Click here to download Blazing Arrow from vinyl to MP3

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Kris Kross is one of the greatest gimmick groups of all time. Better than Insane Clown Posse, better than The Aquabats, better than The Monkees even. Kris Kross, those loveable puppets of Jermaine Durpi, didn’t have to be creative with their gimmick. They just turned their clothes around. That’s it. Clothes turned around. Poof, famous.

I remember when kids would turn their pants around in 3rd grade after recess and pretend they were the super duo. It seemed so cool at the time but thinking back it was nearly impossible to walk and the zipper was on your butt. Yes think about that…the zipper was over your butt. What was Jermaine Dupri trying to tell us regarding his wunderkinds? I think the following picture sums it up nicely.

Black Dracula: So boyz, ya’ll mean ya’llz zipper is right over ya’llz butt cracks?

Kris Kross: Yes Black Dracula.

Black Dracula: Dat, my boyz, iz X-QUISITE!

Kris Kross: JUMP JUMP!

8)

Click here to download I Missed The Bus

8)

A1   I Missed The Bus (Backwards To School Mix) 4:00  
A2   I Missed The Bus (School Krossing Mix) 2:56  
  Mixed By – Phil Nicolo
Producer – Andy “Funky Drummer” Kravitz* , Joe “The Butcher” Nicolo , Phil Nicolo
B1   I Missed The Bus (LP Version) 2:59  
  Backing Vocals – Eddie Weathers , Jermaine Dupri
B2   I Missed The Bus (Instrumental) 3:00  

vicious base

*download below*

This is one the diamonds in the rough that I picked up from WMSR, Miami’s University’s student radio station, right before they liquidated their entire inventory of vinyl.  What initially caught my attention was the totally badass cover.  I mean just look at it.

Look at those two pimps standing triumphantly on stage with the most insanely large speaker setup ever convieved.  I mean the stacks are actually set up on top of a huge subwoofer–the turntables are magically impervious to the subsonic bass pounding the writhing all-sexy-lady audience.

And just look at those buxom beauties, just crawling their way up to the crotchal regions of Magic Mike and Crew.  How can they resist their midnight black leather suits and lustrous 24k gold chains?  I know if I was there I probably wouldn’t be able to either.

Oh, and there’s a bitchin’ primary colored light stack.  Epic.

The album is pretty much what you’d expect from the cover–kinda in the vein of 69 Boyz’ eternal classic “Tootsie Roll” but also packin’ a sock full of quarters just in case shit gets real.

To fully enjoy this album I highly recommend that you listen with nothing less than 12 inch woofers driven by, at the absolute minimum, 100 watts each.  The bass, or BASE in Magic Country, is the real reason peep this.  It’s a nonstop onslaught of  sub 50hz pummeling that has to be felt to be appreciated.  It’s the kind of bass that just makes you want to rollerskate frontwards, backwards, and all crosslegged in an eternal thump- in-the-trunk driven loop of euphoria.

Check this shit out here: www.mediafire.com/download.php?mzyjmhnxzdm

1. It’s Automatic (Club Mix)
2. It’s Automatic (Radio Edit)
3. Magic Mike Will Load the 12 & Hit Ya!
4. Back to Haunt You