Tag Archives: Japanese

***Warimashi! You can also find Holst’s original classical version of The Planets, conducted by Sir Adrian Boult, by clicking here!

Does anyone want to visit outer space anymore? I doubt that anyone could find any allure in sporting a big, airtight body-diaper and leaving the comfy oxygen bubble surrounding Earth. I’m pretty sure that you wouldn’t get any 3G coverage up there. So, you couldn’t even bitch to your friends on Facebook about how totally boring the endless panaroma of our planet, viewed from a freely-floating spacesuit, can really be. Plus, your umbilical cord to the space shuttle totally wouldn’t match your moonboots. Um, so lame.

But I remember, not too long ago in the great scheme, when things were much different. Back in my day, when kids ate coal and shit diamonds, we had this little show called Double Dare. Kids would risk life and limb climbing through metric tons of fake earwax and green gooble-dee-goop to capture little red flags. It was tough work, by George, and many kids lost limbs, important limbs, wading through that synthetic muck. Also, Mark Summers was there but he wasn’t unwrapping the mystery of how Nutter-Butters are made…instead he was turning boys’ nuts into butter on the obstacle course.

So, why oh why did these kids take such sticky risks for such tiny red flags? Two words: SPACE CAMP.

This child abuse was outlawed after Congress passed the Summers Bill in ’89.

That girl at the beginning is having a BLAST in that awkward astroscope. Bad touch, bad touch!

Back in the 80′s, when it wasn’t exploding, the space shuttle was rocking back and forth from the USA to OUTER SPACE. Up and down and round and round it went. Back then we felt the whole thing was just some horribly dangerous and vulgarly expensive workout session for the real deal: Outer Outer Space. You know, past the moon, which we (the good guys) first visited in 1969. It was universally assumed that, sooner or later, Admiral Reagan would tell the boys, “That’s good enough. You’ve trained like true Americans. Now, I want you to aim that big ol’ stick right at Mars and bring back a damn Alien for the Gipper. So let it be written, so let it be done.”

But, somehow, the nation got distracted by all sorts of things…the end of the Cold War, MTV, Tony Danza, Sega Genesis, Melrose Place…beautiful beasts that seeped into our televisions and stole air time from NASA and their team of gee whizzers. And before you knew it we had even more cable channels and we didn’t have to watch the same old boring news clips of that Interatmospheric Baluga’s migration patterns anymore. Soon, no one gave a damn about what bizarre insect mating rituals NASA’s astronauts observed in zero gravity. We were all too busy letting Hollywood give us a tutorial on 21st century virtual reality bonin’.

Eventually, space was out. What’s the point of strapping yourself onto a guided bomb and risking your life when you can experience the same deal at home on your PS3? I mean, subwoofers have gotten pretty good…you can almost feel the second-stage rocket boosters right on your Gucci. And, after all, real space is pretty boring. There aren’t any aliens with plasma rifles. There aren’t any richly detailed story plots with 60+ hours of play time. There aren’t any bulbous spacelady boobs. Well, not that we know of. At least I don’t know about them. If you know of any space boobs, please, Motorola two-way page me.

We have lift off.

 Space is just a sad, broken old man on the corner of McMillan and Vine. Someone told you that he used to be the head train conductor for the Baltimore and Ohio Railroad when it ran out of Union Terminal. That may be true, but all you know is that he smells like piss and Wild Irish Rose. And pistachios…is it pistachios? No, I think it’s pecans.

Let’s take a trip back for second to when this man had his suit pressed on a weekly basis. Back to when you could set your watch to the crease in his crotch. Back to when the God damn whole world was pulled behind a magnificent silver train, hell bent on reaching the world of tomorrow not a minute too late.

………And when Japanese space electronica was way in.

>>>Click here to download The Tomita Planets at 320 kbps

The videos don’t really do the sound justice but the concept is really cool. I’d like to get my hands on this VHS some day. Just because.

*download below*

Here’s two video previews of lighter songs with the full album for download below.  Take a moment to check the vids out (they’re only about a minute apiece.) The longer songs get pretty far out with the composition and effects Tomita uses.  I really can’t get enough of early Moog electronic music…especially pieces with a quirky Japanese twist.

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Click here to download Pictures at an Exhibition from vinyl

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Tracklist

A1   Promenade 1:30  
A2   The Gnome 3:12  
A3   Promenade 1:02  
A4   The Old Castle 5:18  
A5   Promenade 0:34  
A6   Tuileries 0:55  
A7   Bydlo 3:17  
A8   Promenade 1:00  
A9   Ballet Of The Chicks In Their Shells 1:05  
B1   The Two Jews 3:04  
B2   Limoges/ Catacombs 3:56  
B3   Cum Mortuis In Lingua Mortua 2:06  
B4   Baba Yaga (Hut On Fowls’ Legs) 3:50  
B5   Great Gate Of Kiev 6:14

*download below*

Plant seeds of Devo, Talking Heads, Nintendo Entertainment System soundtracks, Dire Straights and the Beatles in a cabbage patch at the foot of Mt. Fuji.  Fertilize heavily with synthesized voices and ensure exposure to plenty of electronic sunshine.  Creepy Japanese mannequins will begin sprouting in 4 to 6 weeks. Pick after 8 weeks and apply butter as desired.

Click here to download the USA Version of X Multiplies

Tracklist

A1   Nice Age 3:55  
  Electric Guitar – Kenji Ohmura*
Voice [Spoken Vocal] – Sandi*
Written-By – Chris Mosdell , Yukihiro Takahashi
A2   Behind The Mask 3:35  
  Written-By – Chris Mosdell , Ryuichi Sakamoto , Yukihiro Takahashi
A3   Rydeen 4:26  
  Written-By – Yukihiro Takahashi
A4   Day Tripper 2:39  
  Electric Guitar – Makoto Ayukawa
Written-By – John Lennon-Paul McCartney*
B1   Technopolis 4:15  
  Written-By – Ryuichi Sakamoto
B2   Multiplies 2:55  
  Written-By – Yellow Magic Orchestra
B3   Citizens Of Science 4:33  
  Backing Vocals – Sandi*
Electric Guitar – Kenji Ohmura*
Written-By – Chris Mosdell , Ryuichi Sakamoto
B4   Solid State Survior 3:55  
  Electric Guitar – Makoto Ayukawa
Written-By – Chris Mosdell , Yukihiro Takahashi
Feel the Goblins.

Feel the Goblins.

***The MP3s are now a totally new rip. I did a better job cleaning the record up both physically and digitally this time around. I think you’ll be pleased with the bombastic Japanese sound. Thanks for listening and enjoy.***

Here’s another album where you can totally judge the content by its cover.  First, let’s examine the title: Rainbow Goblins Story.  I’m not entirely sure what a Rainbow Goblin is or how I might be lucky enough to encounter one but by the throws of ecstasy that Mr. Takanaka is displaying I would surely like to make their acquaintance.  So I’m just going to imagine that Rainbow Goblins are magical creatures that explode from your temporal lobe after ingesting magical mushrooms which,  at the time this recording was made, were completely legal in Japan.

However if shrooms were to account Rainbow Goblins Story I would expect to hear a lot more giggling in between tracks on this album.  This is far from the case.  The audience at Budokan might be the most polite group of spectators to ever enjoy a rockin Japanese symphonic trip into the world’s most delicious technicolor daydream.  There’s no whistling, no cheering, no “OH MY GOD MASAYOSHI, THIS PLAYFUL GOBLIN IS CHEWING ON MY COLLARBONE…MAKE IT STOP!” anywhere. 

I think I heard “Takanaka!” yelled once by a single raucous gentleman throughout the entire recording and I can only assume that he was forced to perform seppuku in the Budukan’s lost and found by an elite security force that was on hand for just such an occasion.

Budokan Arena

Budokan Arena

And while the whole silence thing seems sort of strange I’m certainly thankful for it.  This album, in true Japanese fashion, is all about precision.  Now that doesn’t mean that this is a dainty stroll through Goblin Country with a soundtrack of gentle electric strumming.  No, Masayoshi Takanaka shreds hard.  Really fucking hard.  And with the kind of technical prowess I only thought possible on a synthesizer; you could set your Seiko to Takanaka’s ax.  I couldn’t discern one note that should be confused as being off key.  It’s a constant barrage of super precise, super fast super badass rocking accompanied by a full crew of strings, synth, and all sorts of percussion.  My only gripe is that there wasn’t a Nintendo release based on this album.  It would have made a most triumphant 8-bit score.

Here’s the album:

Side 1

Click to download Side 1

1. Prologue

2. Once Upon a Song

3. Seven Goblins

4. The Sunset Valley

5. The Moon Rose

6. Soon

Click to download Side 2

1. Thunderstorm

2. Rising Arch

3. Plumed Bird

4. You can Never Come to This Place

This just made me pee my pants: