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Tag Archives: Electronic

*vinyl download below*

If you take a look behind Mr. Triangular Turban, the one right there leaking digital flesh, you’ll notice the background resembles a Magic Eye poster. You remember, Magic Eye, the artwork you saw at mall kiosks during the 90′s. The first time you saw those curious technicolored splatters you didn’t really know what to make of them. The Kiosk Master sensed your bewilderment and explained, “Um they’re a hidden 3D picture, kind of. You sort of have to look through them or past them…or something. I think that one’s a dolphin jumping over a desert island. I think.” So you tried to stare through them. You also crossed your eyes, wiggled them, gouged them repeatedly because of your inability to see the hidden dolphin and his high-flying acrobatics.

Pleasures of the deep.

Then, just as you were about to kick the Kiosk Master in the nuts, the sea mammal and his sick air came into view. Oh, the beauty you beheld. Yes, it was just the outline of the dolphin and it wasn’t really the actual color of a dolphin and it gave you a terrible headache but it was AWESOME. It was like stepping into a whole ‘nother dimension where simply-shaped environments prevail  and taste accounts for nothing: A dimension called The Tri-County Mall Foodcourt. With this freeing feeling about your person you confidently worked down the gallery lineup. Pyramids at Giza, Statue of Liberty, Bald Eagle over Star-Spangled Banner, Confused Pug Puppy in Easter basket….each one outdoing its predecessor. It left you with terrifying anticipation. You thought, “If we’re making Magic Eyes now in ’93 there’s no telling what 3D beast we will unleash come 2k.”

Pleasures of the deepest.

… Well, 2000 only brought retinal tears and activated gag reflexes within the stereogram universe. Sorry.

*Side Note: This album is what would happen if The Moody Blues found themselves trapped in a Magic Eye poster. The scene would unfold as follows:

Narwhals, under the influence of Four Loko, would serve as the band’s transportation through a green-lightning sea. While navigating through a particularly spooky coral reef the fellows attempt to play “Tuesday Afternoon” to lift their spirits. However, just at that moment, the narwhals take a sharp dip into a grove of seafloor vents spewing Old Grand Dad Bourbon. “Tuesday Afternoon” Green-Ranger-morphs instantaneously into “Ambling Alp”.

The rest is history.

>>Click to download ODD BLOOD<<<<Get it while it’s hot.


A1 The Children
A2 Ambling Alp
A3 Madder Red
A4 I Remember
A5 O.N.E.
B1 Love Me Girl
B2 Rome
B3 Strange Reunions
B4 Mondegreen
B5 Grizelda

*download below*

Here’s two video previews of lighter songs with the full album for download below.  Take a moment to check the vids out (they’re only about a minute apiece.) The longer songs get pretty far out with the composition and effects Tomita uses.  I really can’t get enough of early Moog electronic music…especially pieces with a quirky Japanese twist.

Click here to download Pictures at an Exhibition from vinyl


A1 Promenade 1:30
A2 The Gnome 3:12
A3 Promenade 1:02
A4 The Old Castle 5:18
A5 Promenade 0:34
A6 Tuileries 0:55
A7 Bydlo 3:17
A8 Promenade 1:00
A9 Ballet Of The Chicks In Their Shells 1:05
B1 The Two Jews 3:04
B2 Limoges/ Catacombs 3:56
B3 Cum Mortuis In Lingua Mortua 2:06
B4 Baba Yaga (Hut On Fowls’ Legs) 3:50
B5 Great Gate Of Kiev 6:14

Click here for a random Rebuilt Tranny post

*download below*

Plant seeds of Devo, Talking Heads, Nintendo Entertainment System soundtracks, Dire Straights and the Beatles in a cabbage patch at the foot of Mt. Fuji. Fertilize heavily with synthesized voices and ensure exposure to plenty of electronic sunshine. Creepy Japanese mannequins will begin sprouting in 4 to 6 weeks. Harvest after 8 weeks and apply butter as desired.

Click here to download the USA Version of X Multiplies (Re-converted and Improved on 4/5/11)


A1 Nice Age 3:55
Electric Guitar – Kenji Ohmura*
Voice [Spoken Vocal] – Sandi*
Written-By – Chris Mosdell , Yukihiro Takahashi
A2 Behind The Mask 3:35
Written-By – Chris Mosdell , Ryuichi Sakamoto , Yukihiro Takahashi
A3 Rydeen 4:26
Written-By – Yukihiro Takahashi
A4 Day Tripper 2:39
Electric Guitar – Makoto Ayukawa
Written-By – John Lennon-Paul McCartney*
B1 Technopolis 4:15
Written-By – Ryuichi Sakamoto
B2 Multiplies 2:55
Written-By – Yellow Magic Orchestra
B3 Citizens Of Science 4:33
Backing Vocals – Sandi*
Electric Guitar – Kenji Ohmura*
Written-By – Chris Mosdell , Ryuichi Sakamoto
B4 Solid State Survior 3:55
Electric Guitar – Makoto Ayukawa
Written-By – Chris Mosdell , Yukihiro Takahashi

*download below*

Kraftwerk: The real granddaddy of all electronic music. Their synthesizers produce oodles of Germanic musical order and discipline on their 1977 classic, Trans-Europe Express. This only makes sense given it was produced in Germany while the country was split in two by heavy-handed superpowers with nothing but control in mind.

I sort of imagine the four Dapper Dan’s from the album art in a monstrous and dreary factory manipulating huge steam engines, gears and pulleys galore.  Through a fantastic ballet of these machines arise the sounds of Trans-Euro Express.  Suddenly a huge funnel drops from the ceiling to capture the sound waves swirling through the air.  Once collected they drain into a locomotive-sized hydraulic press and  are smooshed out onto black vinyl discs. All of this, of course, is metered by the tick of a 10-meter Tag Heuer clock keeping watch from the front of the beat factory. Phew!

Anyway, from the suppressed, mechanical order of 1977 West Germany emerged chaotic sampling, tweaking, spanking, and milking from any number of groups that still continues to this day. Keen listeners are bound to still find bits and pieces of these tracks all over the acoustic realm. It all started full steam with Afrika Bambaataa’s utterly bodacious track “Planet Rock” that rips the heart out of Kraftwerk’s title track “Trans-Europe Express”. It used a blatant and undeniable copy of the chorus melody, which was a big no-no back in 1982 and led to an out of court settlement between the groups’ representatives. However, I’m sure glad it occurred because without that eletro-pickpocketing “Planet Rock” wouldn’t exist and that’d be a damn shame.

Turn off annotations for the first video (click the little box in the right corner)

There are probably hundreds, if not thousands, of samples from this album in other songs.  I’d love to hear from you on which songs you know that sample Kraftwerk’s gem.  Or you can send me a copy of a song you’ve made using bits and pieces of Trans-Europe Express.  Either way I’d love to hear from you on the comment section.

Download link TEMPORARILY down.

As a side note, Kraftwerk supplies the music for the title screen on the old SNL skit Sprockets (for anyone who still remembers this bit).  Ist Max Dancishkaner, ja.

*Vinyl Re-Ripped and Updated 12/6/10*

I’m really excited to finally have the opportunity to share this online.

This album was one of the first I heard after the Miracle at Aural Canal–aka when I finally regained full hearing in my left after a mysterious year-long drought.

Anyway, I’ve had experience with Portishead in the past but always thought their tracks sounded a bit too much like Xanax-popping James Bond theme songs that are prevented from nodding off with repeated slaps by a cruel snare druminatrix.

However, Third completely broke out of this box. And thank the Lord Above.

This is what I envision when this disc drops and the lights dim.

I stand in a greyish-green, abandoned amusement park which lies dormant in the middle of rolling countryside.  Nothing fancy, no big rollercoasters or log flumes–just a lonely carousel, a spinning swing, and a popcorn cart sitting derelict upon the side of a cobblestoned walkway. A thick, greasy film covers everything. Countless years have passed since the park’s seen any people. Now, the only visitor is the constant, frigid wind. It’s silent, bleak, and ever-so-lonely.

Suddenly, everything in the park springs to life.  The carousel, with its faded pine fauna, begins to spin wildly.  The giant swing whirls with rusted chains entangled in a dangerous waltz.  It’s a terrible clash of sight and sound from which an ominous hum seeps. Sickly notes emerge in D Minor to give the  attractions newfound voices in a ghostly chorus.

There’s a tug on my leg.  At my feet stands a tiny doll with wooden hands, glass eyes and a paisley-printed dress. She grinds furiously to the throbbing sound.  The feeling to punt her like it’s fourth and thirty is quelled as she speaks in a shrill, hollow voice. “Hello, sir. It’s been ages since I’ve seen a strapping buck like you. Will you be my kissing friend?”

Her ruby lips look warm, very warm. And I oblige as she tugs my hand all the way to the crawl space under the carousel.

Kissing turns to necking.  Necking turns to petting. Petting turns to coitus. Coitus leads to baby. And of course a man and doll must marry once she’s with child. The Parish would be in an uproar if it were otherwise.

In a flash it’s 10 years later and I’ve fathered a litter of doll babies who’ve overrun the park and cater to my every need.  It’s not easy to keep the townsfolk at bay, with their pitchforks and torches and whatnot, but I’d do anything to protect my tinderbox family. They are so a tiny and their lips are so, so warm.

You are the softest Daddy I know!

What it boils down to is that this album creeps me the fuck out…in exactly the right way.

>>>Click here to download Third at 320 kbps from vinyl

The following video uses “Plastic” from this album.


A1 Silence 5:01
Cello – Charlotte Nicholls
Voice [Spoken Intro] – Claudio Campos
A2 Hunter 3:59
A3 Nylon Smile 3:20
B1 The Rip 4:31
Bassoon – Wendy Bertram
B2 Plastic 3:31
Clarinet – Team Brick
B3 We Carry On 6:28
C1 Deep Water 1:33
Vocals [Additional] – Ben Salisbury , David Poore , Somerfield Workers Choir, The , Team Brick
C2 Machine Gun 4:46
C3 Small 6:47
D1 Magic Doors 3:32
Electric Piano [Rhodes] – John Baggott
Hurdy Gurdy – Stu Barker
Saxophone – Will Gregory
D2 Threads 5:48
Bass – Jim Barr
Cello – Charlotte Nicholls
Drums – Clive Deamer
Guitar – Beth Gibbons
Saxophone – Will Gregory